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PRESS
"Avery Boettcher never lost her poise in that subtly complex role, showing a wide range of constrained emotions that surfaced in lovingly understated readings of “Porgi, amor” and in the heart-breaking “Dove sono.”
OPERA NEWS
"Rossini's Armida began with a touching love scene between the beautiful sorceress Armida (soprano Avery Boettcher) and the lapsed warrior Rinaldo (tenor Jonah Hoskins). The melodic vocal lines gave them an opportunity to show their stuff."
VOCI DI MECHE
August
2022
ARMIDA / ARMIDA, APPRENTICE SCENES
SANTA FE OPERA
"Frasquita, sung by the soprano, Avery Boettcher, was fiery and intense, as the part requires. Her singing in the card scene towered over everyone in its purity, thrilling audience and critic alike."
-REX HEARN, REX RECOMMENDS
January 2022
FRASQUITA / CARMEN
PALM BEACH OPERA
Avery Boettcher, as Belinda, later emerges with an emphatic aria, “Pursue my conquest, Love.” She presented a moment of beauty in her agile and charming soprano voice.
PALM BEACH DAILY NEWS
December
2021
BELINDA / DIDO & AENEAS, PALM BEACH OPERA
June 2021
VIOLETTA VALERY/ LA TRAVIATA, Center Stage Concert
OPERA THEARE OF ST. LOUIS
The scene from “La Traviata” gave us another example of Men Behaving Badly ... René’s Germont had plenty of vocal authority and self-righteousness while Boettcher’s Violetta had impressive passion.
- CHUCK LAVAZZI, KDHZ COMMUNITY MEDIA
"A GREAT TRIUMPH"
THE NEW YORK TIMES
"Avery Boettcher, Olivia Johnson, and Kaswanna Kanyinda were gloriously matched as the trio of Rheinmaidens, individual masters of their art, creating a wash of harmony."
OPERA NEWS
The Rheinmaidens – the three water goddesses of Germany’s Rhine River – swept in, glowing with beauty and light ... Their voices soared in harmony.
THE DETROIT FREE PRESS
"HANDSOME SINGING"
THE WALL STREET JOURNAL
October
2020
WOGLINDE / TWILIGHT GODS, MICHIGAN OPERA THEATRE
The object of Tamino’s quest, Princess Pamina — no superficial beauty — was Avery Boettcher, most sympathetic with her lovely lyrical soprano.
RUTLAND HERALD
August 2020
PAMINA / DIE ZAUBERFLÖTE
OPERA NORTH
March
2020
LAURETTA / GIANNI SCHICCHI & BUOSO'S GHOST, MICHIGAN OPERA THEATRE
"The production serves as a showcase for the spectacular talents of the MOT Studio Artists [...] with Avery Boettcher as Lauretta. All three [studio artists] shine brightly in these effervescent pieces, with Boettcher delivering the featured aria with perfect tones and genuine sweetness."
ENCORE MICHIGAN
"Studio artist Avery Boettcher’s sweet, bubbly soprano accompanied a slyly flirtatious take on the charming Zerlina ... a joy to watch."
OPERA NEWS
October
2019
ZERLINA / DON GIOVANNI, MICHIGAN OPERA THEATRE
August
2019
COUNTESS / LE NOZZE DI FIGARO, ASPEN OPERA THEATRE
"Avery Boettcher never lost her poise in that subtly complex role, showing a wide range of constrained emotions that surfaced in lovingly understated readings of "Porgi amor" and in the heartbreaking "Dovo sono." Her duet with Susanna, "Sull'aria," was perfectly paced."
OPERA NEWS
"The high soprano voice of the Adina (Avery Boettcher), the hard-to-catch, then finally melting heroine ... was well capable of mastering the fioratura and belting out high notes as the role requires."
THE HOOSIER TIMES
March 2019
ADINA / L'ELISIR D'AMORE IU OPERA THEATRE
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